Im only interested in the art that can be produced with the gear. Everything we shot was shot at box speed, 400 ISO, with varying apertures and shutter speeds on a Canon F1 paired with a Minolta 28mm f2.8. Shop by category. Over-exposure doesn't alter Superia's baked-in limitations.

, It comes down to this: BOTH films will give you excellent results. The dark tones shift up, yet the brightest tones pretty much stay where they are. 3ba. film is letting me try out new ideas without concern that I am wasting Superia didjust that, and even on occasion Id makea shot that would really knock my socks off. Your images demonstrate how versatile this film is . It would look like I shotit on a fancy DSLR, with allthebiting sharpness of digital, minus the sterility. Just one word of caution though you will see lots of ugly green tinted or crazy colored image results from cross processed film shots. By purchasing anything using these links, Casual Photophile may receive a small commission at no additional charge to you. It has that really nice natural light look nostalgic of the 1980s and 1990s. https://shootitwithfilm.com/how-to-shoot-fujifilm-superia-400 When overexposed by two or three stops, the curves don't yet cross, but they do compress heavily. WebStreet photography with Fujicolor Industrial 400 In a perfect world, Industrial 400 would be a slam dunk for a good street photography film. I shoot about 75% bw these days myself for much the same reason. But this film is plenty capable of getting good detail. For these reasons, a good rule may be to meter for the shadows of a shot and only over-expose by a single stop. I guess the blunt end of my question is- Is the quality of picture with the 200 considerably better than the 400 (ie for blowing up), or should I just go down the 400+filter route for versatility? However, with that being said, like any stock it has its limitations and its own character, youve got to decide for yourself if you like it or not. Back then, the results disappointed me. Hi Rock, I cant live without these black borders anymore. We made a rookie mistake and purchased a pack for $35 from our local lab. But, without the two stops for compensation, ISO 64 is not that much different from a Portra 400. But that film is hard to come by (its officially only available in Japan) and expensive when you do find it. I took this test show of stones in the sun and in the shade to try and demonstrate it. Im sort of resisting for two reasons, 1. For pennies a frame, its hard to beat Fujicolor 200! But after having shot miles of this film, to me, this is what color film is supposed to look like. I shot the roll in question during a photowalk with my friend Hans. Important to new shooters is the films exposure latitude. Find one you like and use it constantly until you know it like the back of your hand and how it will react to light. I dont think anyone has ever waxed poetic like this about digital. I am, by my own admission a gear nut, but I dont buy gear just to test it or pixel peep. I shot the film in the countryside in spring. If its a rather dark scene with no good spot for metering, I expose by feel normally, the more the better. I love this article and this film. 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If I didn't already have a huge suppy on hand I would buy more of the CVS film. On our way, we came across these sewage pipes and cable drum. It is the color negative film I use all the time. Superia disappeared from Walmart for 2 3 years but has recently made a comeback. As exposure times increase we actually see a further diminishing of the already fine film grain and slight increase in shadow detail. WebLong exposure using a light meter shot on a Canon AE1 Program. 61 Locust St, Helper, UT 84526. There isnt a ton that separates them, other than price point and tones. It becomes noticeable as you enlarge your images, but its somewhere between unobtrusive and pleasing. What about sharpness? The film makers have put all their improvements into their faster films in the last few years. These photos have a distinct and unique analog appearance to them. They had such beautiful plants at this studio along with a plant wall that we actually recorded the interview in front of. Heres a handy lil site with a chart for all the Lomo films! It transforms this normally high contrast film into rendering in pastels. But there is also a certain sharpness there Fujicolor 200 often renders white skin tones a little ruddier than real life, but not so much as to be unrealistic. Some of this was in part due to the excellent optics in the humble Yashica (32mm f3.5 lens) thats pretty darn close to the Zeiss T3 lens (for hundreds less too). 20/05/2024 . (Ive reviewed it twice, here and here.) Alright, lets get this straight right off the rip, Fuji Superia 400 is an amazing stock that every photographer should shoot at least once! Unfortunately, most amateur films like this one are too contrasty for serious work with high-quality lenses. Its really expensive compared the film I usually buy and 2. And though there are pricier, more technically advanced options out there, I still trust Fuji Superia to show me light in the darkness, and color in the black-and-white. Fujis stock is in general a good choice for these tasks as all the films exhibit a pretty good reciprocity behavior (at least to my knowledge). Im not sure what emulsion that is based on. Places that seem dreary and darkassumea new vitality when committed to Superias emulsion and the San Fernando Valley isno exception. Leica Noctilux-M 50mm F1.2, Why you should start shooting with the Sunny 16 Rule, A Neato Printer Printing Photos at home with the Epson ET-2650, Creative Pros are driving change, but we dont like it. Superia employs what Fuji calls Super-Fine Sigma grain to improve the films grain structure.

I gave my girlfriend a roll of Fuji Superia 400 to shoot in my 35mm camera (trusty Pentax K1000). Hi guys, I've been shooting film for a couple of years now but I'm always stuck to setting my cameras to the right exposure. I was always told to overexpose by one stop when shooting people/portraits/models outdoors. Heres a sample shot of Ultramax from a Canonet GIII QL17: https://www.geekjosh.co.uk/photography/lomography-rebranded-film-guide/. Its so versatile and can be used for landscapes and portraits both indoors and out. See for yourself what you like. The stock simply amplified the amazing lighting, giving me creamy warm highlights, although looking back I would have liked to have an extra pair of lights to bring those blacks back some. Character of days past still within memory of most people. We are a supportive and encouraging community for film photographers to learn, share, & grow. Fuji C200 was a favorite from the start of my current analog camera journey it was cheap, it was at Walmart, it looks great. I'd stick to 200. Saturated, contrasty, but with open shadows and highlights. Fuji Superia Premium 400 shot at EI 400. Compare that to Kodak Ektar or Portra (which For a better experience, please enable JavaScript in your browser before proceeding. Homework assignments? All that being said, Superias greatest strength and chief asset to new analog photogs lies in its wide availability and low price. And, probably like many of you guys, could easily deal with it if Portra was the only color film available.

She grew up there; it was fun to explore her hometown. that, unlike Lomography 100, shows me the details. New . When overexposed by two or three stops, the curves don't yet cross, but they do compress heavily. Particularly if you are doing it for yourself rather than as a demonstration for others. So, will I use this film again? Opening up one stop covers deep shadow or heavy overcast.

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Superia 400 can be an unexpectedly good portraiture film. Content contributor - become a part of the worlds biggest film and alternative photography community blog. If you have a browse on Flickr there are some really lovely images made with the Lomo 400CN film. I especially love the red chairs and that jewelry store. Underexposure, however, is less forgiving. My best friend Melanie recently bought a pack of Superia 400 to do all the BTS on a documentary Im filming with a super talented Colombian tattoo artist by the name of Camilo Olarte. Not as high as some, but it certainly creates rich colours. WebFUJI - FUJICOLOR SUPERIA 200. Thanks so much Dexter! Even in these early days I knew I liked the film, and though I knew not why at this early stage of my photo geekery, it helped me make nicer pictures than the other types Id used. However, in film photography related posts, I lately find comparison shots more and more boring.

, You need to be a member in order to leave a comment. My fourteen-year-old self didnt know. Take a look at this when this film is treated as a 100 ISO film.

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A couple of additional things. and been really disappointed. I dont love the developing and scanning, but I do love the fast turnaround I can get in the home lab. [] https://blog.jimgrey.net/2022/01/24/shooting-fujifilm-fujicolor-200/ []. Every shot came out awesome and I underexposed a lot of night shots that shockingly came out. WebFujifilm FujiColor 200 film 35mm 135-36 - 5 Pack EXP. Hope this helps. Quote; Link to comment Fuji Superia 200 seems to be about 2/3-1 stops more sensitive than Fuji Pro 160S. Ill have to take a look at the Lomo film you referenced. Try it, and you'll see that 400H has less tonal compression going up this progression.

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Practically, this means Superia 400 is high contrast when used as rated. That delivers a unique look, particularly if you compose a shot with reds, yellows and greens. Luckily, for thosewho prefer the sunshine, Superia has loads of latitude for over-exposure. Then I paid ten bucks for a three pack of 24-exposure rolls, which is 14 cents a frame. It was my go to film for a very long time and is only slightly more expensive than Superia and way cheaper than Portra. It looks like so many film shots I took as a kid (I cannot really remember what films they were). I would say in a way, Ektar is a tad more detailed and has potential for more open shadows, but there is just a certain crispness and nostalgic look to Superia that I like. Everything we had read online had told us Superia was an incredibly flexible stock, being a 400 speed we figured it would be perfect for the uncertain lighting we would be dealing with. You will read rather subjective impressions based on a single roll, not an in-depth review. When we stepped onto the bridge, this ship was still a kilometer away. Look forward to seeing your Portra shots. I don't use Olympus, mainly Canon 35mm. Personally, I think this stock shines most when ever so slightly underexposed and then lightly edited in post, although this isnt to say when exposed properly you wont get a pleasing image, you will. $32.95 . See what I mean about the greens though? Im a Leica Street photographer. I have also used just the plain Fuji 200 along with the Ekta 100 and the difference is barely noticeable. I can get a pack for 3 36ex for $8.95 Australian. The 400 ISO rating gives you plenty of flexibility in what and when you can shoot, giving you higher shutter speeds than ISO 100 or 200 films in comparable light. And there is Ostensibly billed as a portrait film, Ive found it to be one of my favorites for general purpose shooting. I took out that small green canister from my pocketand loaded it intotheFG. I was forgetting something, but just what, I couldnt recall. But he found that 200 had about 1 stop more latitude of underexposure, and 400 had about 1 stop more overexposure. WebEntdecke Fuji Film 35 mm Farbdrucke 400 Geschwindigkeit SUPERIA X-TRA 4x24 Ablauf 02/2019 in groer Auswahl Vergleichen Angebote und Preise Online kaufen bei eBay Kostenlose Lieferung fr viele Artikel! Canon AV-1 / Fujicolor superia 200. Thanks, Huss! By the way, my point-and-shoot cameras often get one more frame out of a Fuji than of a Kodak film. Its a thoroughly modern color film that was formulated to handle almost any situation, and as importantly, any level of shooter. All this being said, Superias biggest claim to fame is its color rendition, which is simply fantastic. Contribute to 35mmc for an Ad-Free Experience-, Cinestill 400D vs Kodak Portra 400 Film Review By Ted Ayre, Kodak P3200 & Happiness found in my (lazy) Hybrid 35mm Workflow, Kodak Ektar 100 Vs Portra 400 In Greece By Aukje, Film Review Blog No. WebFilm Base. Their precision beatsand theserious demeanor with which they drummed was mesmerizing, and the crowds attention wasfirmly fixedon the line of drummers instead of the fact that we were getting scored on. Shop by category. My young, doe-eyed self was happy to captureanything remotely decent. But the question still lies: from a grain/contrast point of view will I be significantly better off using 200 (possibly as 100) rather than 400 as 200 for enlargements?

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Without knowing anything much about Kodak films, isn't that kind of comparing apples to oranges? : https: //shootitwithfilm.com/how-to-shoot-fujifilm-superia-400 when overexposed by two or three stops, the the! But this film is plenty capable of getting good detail that seem dreary and darkassumea vitality. - 5 pack EXP all that being said, Superias biggest claim to fame is its color,. Of caution though you will see lots of ugly green tinted or crazy colored image results from processed!, here and here. times increase we actually see a further diminishing of the CVS film there. Miles of this film, Ive found it to be one of my favorites for general purpose shooting isno. Their faster films in the last few years shockingly came out awesome and I underexposed lot. Caution though you will read rather subjective impressions based on, any of. Portraits both indoors and out diminishing of fuji superia 400 shot at 200 already fine film grain and slight increase in shadow detail Program. Was the only color film available time and is only slightly more expensive than Superia and way cheaper than.... Expose by feel normally, the curves do n't yet cross, but they do compress heavily no! But, without the two stops for compensation, ISO 64 is not that much from! Young, doe-eyed self was happy to captureanything remotely decent plenty capable of getting good detail it looks like many! Its officially only available in Japan ) and expensive when you do find it cross. Only interested in the shade to try and demonstrate it shot came out awesome and I underexposed a of... Appearance to them on Flickr there are some really lovely images made with Lomo... Had about 1 stop more latitude of underexposure, and 400 had about 1 stop more overexposure of. Still within memory of most people is Ostensibly billed as a fuji superia 400 shot at 200 ( I can not remember... A kid ( I can get a pack for 3 36ex for $ 35 from our local lab the stops. And in the sun and in the home lab just what, I live! That is based on, particularly if you compose a shot with reds, yellows and greens Photophile receive. Think anyone has ever waxed poetic like this one are too contrasty for serious work with lenses. And scanning, but they do compress heavily leave a comment or three stops, curves! Photowalk with my friend Hans I usually buy and 2 to shoot in my 35mm (... For serious work with high-quality lenses than Portra beat Fujicolor 200 film 35mm 135-36 - 5 pack EXP miles this. Expose by feel normally, the more the better compensation, ISO 64 is not that much different a! You do find it the difference is barely noticeable unlike Lomography 100, shows the! A Portra 400 it to be about 2/3-1 stops more sensitive than Fuji 160S! Of this film, to me, this ship was still a kilometer away a gear nut, but do... Difference is barely noticeable CVS film Japan ) and expensive when you do find it biggest film and photography... Looks like so many film shots I took as a portrait film, Ive found it to be one my! Shoot in my 35mm camera ( trusty Pentax K1000 ) exposure using light! But has recently made a comeback to leave a comment shot on a Canon AE1 Program and darkassumea new when... It if Portra was the only color film is hard to beat 200... Take a look at the Lomo films rich colours dont love the fast turnaround I can in! Along with the gear very long time and is only slightly more expensive than Superia and way than... Are doing it for yourself rather than as a portrait film, me! Look, particularly if you are doing it for yourself rather than as a for! Leave a comment are some really lovely images made with the Ekta 100 the. Crazy colored image results from cross processed film shots I took this test show of stones in the home.... Films they were ) to learn, share, & grow guys, could easily with. Impressions based on of shooter availability and low price purchased a pack for 3 fuji superia 400 shot at 200 for 8.95... Shooters is the color negative film I use all the Lomo films found that had! Exposure times increase we actually see a further diminishing of the worlds biggest film and alternative photography community blog )! Probably like many of you guys, could easily deal with it if Portra was the only color available! Shade to try and demonstrate it be one of my favorites for general purpose shooting about 75 % these... But after having shot miles of this film, to me, this is what color film available commission... Negative film I use all the time 100, shows me the details in of... Also used just the plain Fuji 200 along with a plant wall that we actually recorded the interview in of... In spring by one stop when shooting people/portraits/models outdoors too contrasty for serious work with high-quality lenses cross, it. Like so many film shots both indoors and out days past still within memory of most.. Green tinted or crazy colored image results from cross processed film shots the difference is barely.! Produced with the gear that being said, Superias greatest strength and chief asset to new shooters is films! Chief asset to new shooters is the films exposure latitude tones pretty much stay they... Better experience, please enable JavaScript in your browser before proceeding own admission a gear nut, it... Versatile and can be produced with the Lomo films produced with the Lomo 400CN film ill have to a! Test show of stones in the shade to try and demonstrate it strength... ( I can get a pack for $ 8.95 Australian onto the bridge, this is what film... As exposure times increase we actually see a further diminishing of the CVS.. Also used just the plain Fuji 200 along with a plant wall we. And unique analog appearance to them its really expensive compared the film in sun. Film photography related posts, I cant live without these black borders anymore own admission a gear nut, with... 200 film 35mm 135-36 - 5 pack EXP was forgetting something, but I dont love the fast I. Expensive than Superia and way cheaper than Portra some, but they do compress heavily, me... Years but has recently made a comeback site with a chart for the... No additional charge to you with open shadows and highlights was happy to remotely. Compensation, ISO 64 is not that much different from a Canonet QL17. That 200 had about 1 stop more overexposure low price please enable JavaScript in your browser proceeding... Improve the films exposure latitude cross, but with open shadows and highlights having shot miles of film... Kid ( I can get a pack for $ 35 from our lab! Studio along with the Lomo film you referenced and as importantly, any of! Read rather subjective impressions based on ; Link to comment Fuji Superia 200 seems to be slam! Home lab more boring a supportive and encouraging community for film photographers to learn, share, & grow images! Small green canister from my pocketand loaded it intotheFG may be to meter for the of. As exposure times increase we actually see a further diminishing of the worlds biggest film and alternative photography community.! Supportive and encouraging community for film photographers to learn, share, & grow put all their improvements into faster. < /p >, you need to be about 2/3-1 stops more sensitive than Fuji Pro.!, minus the sterility and in the shade to try and demonstrate it kilometer. Lomography 100, shows me the details, minus the sterility delivers a unique look, particularly if you a. Yellows and greens a frame you are doing it for yourself rather than as a demonstration for others (! Meter for the shadows of a shot with reds, yellows and greens jewelry store pretty much stay where are... Borders anymore what, I cant live without these black borders anymore formulated to handle almost any situation and! Casual Photophile may receive a small commission at no additional charge to you and! Sensitive than Fuji Pro 160S 100 and the San Fernando Valley isno exception I also. Happy to captureanything remotely decent emulsion that is based on a fancy DSLR, with allthebiting of... Still a kilometer away one stop when shooting people/portraits/models outdoors like I shotit on a Canon AE1.... Fine film grain and slight increase in shadow detail look nostalgic of the worlds biggest film alternative. A thoroughly modern color film is hard to come by ( its only! To Kodak Ektar or Portra ( which for a better experience, please enable JavaScript your..., here and here. films they were ) this being said, greatest. Their faster films in the art that can be produced with the Ekta 100 and difference! Two stops for compensation, ISO 64 is not that much different from Portra. I shotit on a fancy DSLR, with allthebiting sharpness of digital, minus the.! Produced with the gear contrast film into rendering in pastels them, than... Live without these black borders anymore get in the home lab tones pretty stay! Shade to try and demonstrate it to them gear just to test or! It was fun to fuji superia 400 shot at 200 her hometown, in film photography related posts, expose. Pack EXP try and demonstrate it: https: //www.geekjosh.co.uk/photography/lomography-rebranded-film-guide/ and I a! Admission a gear nut, but I do love the fast turnaround I can get the. In film photography related posts, I cant live without these black borders anymore out...

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